Since moving to Berlin, it’s taken me a lot longer than I expected to set up my studio and find a rhythm and momentum of work in a new place. I have spent the year experimenting with new clays and new forms, letting my instinct and fingers guide me.
At the beginning of April I was lucky enough to squeeze in a brief trip to Paris and of course, I had to re-visit one of my favourite places - a workshop preserved and resonant with the spirit and energy of the maker.
Such a treat to be featured in this months Enki magazine. The home of design and architecture. What led you to ceramics? I like to stay curious and explore different parts of my creativity. I have never followed one career path in life and so a studio for me is a space that allows me to be artistic in many ways.
I was delighted to visit the latest exhibition at Tate, St. Ives on a recent trip back to Cornwall. Growing up on this wild peninsula I was aware of a great artistic heritage, of artists who claimed Cornwall as a creative and spiritual home.
I had the wonderful opportunity to discuss my artistic practice with Jo Ward of Ovidian. Jo is an incredible writer, championing the work of artists from across the globe, weaving together art and poetry with her words.